Bleeding Pages is a reflection on a transition many of us have quietly witnessed the gradual shift from printed books to digital formats. Born in the year 2000, I find myself part of a generation that grew up between two worlds. I remember the feel of paper, the sound of turning pages, the physical presence of a book, but I also came of age alongside the rise of screens, e-books, and endless scroll.

This work doesn’t aim to critique either side. It simply observes a change that is still unfolding. The torn and stained pages in the piece are not meant to mourn or celebrate, but to mark something that is in motion. They represent a way of interacting with information and stories that once felt permanent and now feels increasingly rare.

For many people in my generation, there is a quiet awareness of this shift. We carry memories of paper while living in a digital present. We remember borrowing library books, underlining with pencils, scribbling in margins experiences that are slowly becoming less common. Bleeding Pages captures that sense of being in-between. Not fully on one side or the other, but right in the middle of a cultural and technological evolution.

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